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- <text id=90TT0824>
- <link 89TT3098>
- <title>
- Apr. 02, 1990: Rooted At Last
- </title>
- <history>
- TIME--The Weekly Newsmagazine--1990
- Apr. 02, 1990 Nixon Memoirs
- </history>
- <article>
- <source>Time Magazine</source>
- <hdr>
- ART, Page 55
- Rooted at Last
- </hdr>
- <body>
- <p>By Robert Hughes
- </p>
- <p> Van Gogh's Irises, 1889, known to the trade as the Curse of
- the Outback, has found its permanent home in the Getty Museum
- in Malibu, Calif., which bought it for an undisclosed sum last
- week. Acquired at auction in November 1987 for $53.9 million
- by the Australian conglomerator and promoter Alan Bond, Irises
- was the most expensive work of art ever sold. Its price created
- an artificial euphoria that bulled the world art market and
- helped save it from the October '87 Wall Street crash. The name
- of the underbidder was never revealed, raising suggestions--indignantly denied by the auctioneers--that the price had been
- manipulated. The sale was financed with $27 million lent by
- Sotheby's: a margin-trading deal in line with the
- stock-exchange ethics of the Age of Milken. The deal came
- embarrassingly unstuck two years later when Bond, as his
- overgeared empire crumbled, proved unable to complete the
- payments.
- </p>
- <p> Sotheby's, understandably terrified of the results if Irises
- had to be auctioned again, repossessed the painting and began
- seeking a private buyer for it at $65 million, saying that
- though Bond "owned" it, they "had control" of its whereabouts.
- (Some Australian museum officials now believe, though they have
- produced no evidence publicly, that the picture exhibited as
- Irises on a tour of Australian state galleries in 1989 was a
- new copy, protected from close inspection behind double glass.)
- Efforts to sell it at the high price failed. Since informed
- art-dealing sources concurred late last year that the right
- price for Irises would be around $35 million, it is unlikely
- that the Getty paid more than $40 million. But the actual price,
- to save everyone's face, seems bound to remain one of the
- mysteries of the American art industry.
- </p>
-
- </body>
- </article>
- </text>
-
-